From the construction to its surrender for the Turks, Gyula Fortress can be linked significantly with the royal court either by relation right or by the way that the King himself or a member of royal family was the proprietor of the big manor. All this is worth of emphasizing since Buda and Vajdahunyad are the nearest two castles unequivocally having this kind of royal position.
The first factual mention of the fortress building is from 1445, although János Maróti began with its construction already in 1405. His life passed in uninterrupted fighting against the Turks, therefore the leader and terminator of the works in Gyula could be his son, László Maróti. In 1476, the fortress and the huge manor reverted to the crown. In 1482 King Matthias gave the territory to his son, János Corvinus, who made his mark on the fortress – in addition to other building operations – by erecting the present Corvin-bastion. From strategic point of view, the fortress advanced in fact after the Mohács Disaster. The adherents of János Szapolyai succeeded to seize it, and then for a short while it was in the hands of noblemen of Transylvanian interestedness. However, in 1552 it got again into king’s ownership in consequence of to an exchange. In the meanwhile, the Ottomans engaged in the destruction of the surroundings. Then they built palisades not far off from the fortress herewith hindering the food supply for the defenders. In summer of 1566, Pertaf pasha, nephew of Suleiman II (Suleiman the Magnificent) finally laid siege to the fortress. After a nine-week siege, they subscribed the fortress’ capitulation agreement, thus the town fell into the Turks’ hands. With the onset of a relative peace, the life of the city began to develop slowly, and then in 1695 the Christian troops reoccupied the territory. Thereafter the estate’s ancillary units were placed in the castle.
The renovation of the fortress was started in the beginning of the 1960s. The Castle Theatre has operated within the walls since 1960, and the old permanent exhibition was opened also at this time. Following a long-standing renovation, the new Renaissance Castle Museum was finished in 2005, in which the visitors can go through the history of six centuries in 24 exhibition rooms.
Gyula Fortress being the only flatland, Gothic brick-masonry fortress of Central-Europe remained intact stands at the persons’ service showing an interest, with 24 exhibition rooms.
Within the restored castle, downstairs there are the dungeon (open to the public out of Castle Theatre’s season), the chapel, the tavern and the ancillary rooms such as a dispensary, a bake-house, a smithy and a pottery. Upstairs there are various suits (of the lord and of the lady), the halberdier hall, the Sanjak bey’s reception room, the armoury and the knights’ hall.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.