Freiburg Minster is the cathedral of Freiburg. The last duke of Zähringen started the building around 1200 in Romanesque style and the construction continued in 1230 in Gothic style. The minster was partly built on the foundations of an original church that had been there from the beginning of Freiburg in 1120.
In the Middle Ages, Freiburg lay in the Diocese of Konstanz. In 1827 the Freiburg Minster became the seat of the newly erected Catholic Archdiocese of Freiburg and thus a cathedral. The cathedral has the only Gothic church tower in Germany that was completed in the Middle Ages (1330), and miraculously, has lasted until the present, surviving the bombing raids of November 1944, which destroyed all of the houses on the west and north side of the market. The tower was subject to severe vibration at the time, and its survival of these vibrations is attributed to its lead anchors, which connect the sections of the spire. The windows had been taken out of the spire at the time by church staff led by Monsignor Max Fauler, and so these also suffered no damage.
There are two important altars inside the cathedral: the high altar of Hans Baldung, and another altar of Hans Holbein the Younger in a side chapel. The nave windows were donated by the guilds, and the symbols of the guilds are featured on them. The deep red color in some of the windows is not the result of a dye, but instead the result of a suspension of solid gold nanoparticles.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.