Bergpark Wilhelmshöhe is a unique landscape park in Kassel. The area of the park is 2.4 square kilometres, making it the largest European hillside park, and second largest park on a mountain slope in the world. Descending a long hill dominated by a giant statue of Hercules, the monumental water displays of Wilhelmshöhe were begun by Landgrave Carl of Hesse-Kassel in 1689 around an east-west axis and were developed further into the 19th century. Reservoirs and channels behind the Hercules Monument supply water to a complex system of hydro-pneumatic devices that supply the site’s large Baroque water theatre, grotto, fountains and 350-metre long Grand Cascade. Beyond this, channels and waterways wind across the axis, feeding a series of dramatic waterfalls and wild rapids, the geyser-like Grand Fountain which leaps 50m high, the lake and secluded ponds that enliven the Romantic garden created in the 18th century by Carl’s great-grandson, Elector Wilhelm I. The great size of the park and its waterworks along with the towering Hercules statue constitute an expression of the ideals of absolutist Monarchy while the ensemble is a remarkable testimony to the aesthetics of the Baroque and Romantic periods.
Schloss Wilhelmshöhe was damaged by Allied bombs in World War II. From 1968 to 1974, it was rebuilt as an art museum. It houses a wallpaper collection, a collection of Graeco-Roman antiques, and a gallery of Old Masters paintings. The collection focuses on the 16th and 17th century, containing masterpieces by German, Italian, French and Spanish painters. It comprises the second-largest collection of Rembrandts in Germany. Rembrandt's famous 'Saskia' and 'The Man with the Slouch Hat' by Frans Hals are among them.
On 23 June 2013 Wilhelmshöhe was proclaimed as a World Heritage Site during the UNESCO meeting in Phnom Penh.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.