Frankfurt Cathedral (Kaiserdom Sankt Bartholomäus, St. Bartholomew's Imperial Cathedral) is the largest religious building in Frankfurt and a former collegiate church. As former election and coronation church of the Holy Roman Empire, the cathedral is one of the major buildings of the Empire history and was mainly in the 19th century a symbol of national unity.
The present church building is the third church in the same place. Since the late 19th excavated century buildings can be traced back to the 7th century. The history is closely linked with the General history of Frankfurt and the Frankfurt old town because the cathedral had an associated role as religious counterpart of the Royal Palace Frankfurt. The St. Bartholomew's is the main church of Frankfurt and was constructed in the 14th and 15th centuries on the foundation of an earlier church from the Merovingian time.
From 1356 onwards, emperors of the Holy Roman Empire were elected in this collegiate church as kings in Germany, and from 1562 to 1792, emperors-elect were crowned here. The imperial elections were held in the Wahlkapelle, a chapel on the south side of the choir built for this purpose in 1425 and the anointing and crowning of the emperors-elect as kings in Germany took place before the central altar–believed to enshrine part of the head of St. Bartholomew – in the crossing of the church, at the entrance to the choir.
In the course of the German Mediatisation the city of Frankfurt finally secularised and appropriated the remaining Catholic churches and their endowments of earning assets, however, leaving the usage of the church buildings to the existing Catholic parishes. Thus St. Bartholomew's became of the city's dotation churches, owned and maintained by the city but used by Catholic or Lutheran congregations.
St. Bartholomew's was seen as symbol for national unity in Germany, especially during the 19th century. Although it had never been a bishop's seat, it was the largest church in Frankfurt and its role in imperial politics, including crowning of medieval German emperors, made the church one of the most important buildings of Imperial history.
In 1867, St. Bartholomew's was destroyed by a fire and rebuilt in its present style. During World War II, between October 1943 and March 1944, the old town of Frankfurt, the biggest old Gothic town in Central Europe, was devastated by six bombardments of the Allied Air Forces. The greatest losses occurred in an attack by the Royal Air Force on March 22, 1944, when more than a thousand buildings of the old town, most of them half-timbered houses, were destroyed. St. Bartholomew's suffered severe damage; the interior was burned out completely. The building was reconstructed in the 1950s.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.