Tarquinia is known chiefly for its outstanding and unique ancient Etruscan tombs in the widespread necropoli or cemeteries which it overlies. Tarquinia has been awarded as UNESCO World Heritage status with near Cerveteri.
The ancient burial grounds (necropoli), dating from the Iron Age (9th century BC, or Villanovan period) to Roman times, were on the adjacent promontories including that of today's Tarquinia. It was one of the most ancient and important Etruscan cities.
The main necropolis of Tarchuna, part of which can be visited today, is the Monterozzi necropolis with some 6,000 tombs, at least 200 of which include beautiful wall paintings, and many of which were tumulus tombs with chambers carved in the rock below.
The painted scenes are of a quality virtually unrivalled elsewhere in the Etruscan world and give a valuable insight into the secretive world of the Etruscans which is rarely documented. They show banquets with dances and music, sporting events, occasional erotic and mythical scenes. In the late period underworld demons escorting the dead on their journey to the beyond including scenes in the nether world were depicted, and also processions of magistrates and other symbols of the rank of the eminent members of the families buried there.
Famous tombs include the Tomb of the Bulls, Tomb of the Augurs and the Tomb of the Leopards.
During the second half of the 4th century sculpted and painted sarcophagi of nenfro, marble and alabaster came into use. They were deposited on rock-carved benches or against the walls in the by then very large underground chambers. Sarcophagi continued until the second century and are found in such numbers at Tarquinia that they must have been manufactured locally.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.