Tarquinia is known chiefly for its outstanding and unique ancient Etruscan tombs in the widespread necropoli or cemeteries which it overlies. Tarquinia has been awarded as UNESCO World Heritage status with near Cerveteri.
The ancient burial grounds (necropoli), dating from the Iron Age (9th century BC, or Villanovan period) to Roman times, were on the adjacent promontories including that of today's Tarquinia. It was one of the most ancient and important Etruscan cities.
The main necropolis of Tarchuna, part of which can be visited today, is the Monterozzi necropolis with some 6,000 tombs, at least 200 of which include beautiful wall paintings, and many of which were tumulus tombs with chambers carved in the rock below.
The painted scenes are of a quality virtually unrivalled elsewhere in the Etruscan world and give a valuable insight into the secretive world of the Etruscans which is rarely documented. They show banquets with dances and music, sporting events, occasional erotic and mythical scenes. In the late period underworld demons escorting the dead on their journey to the beyond including scenes in the nether world were depicted, and also processions of magistrates and other symbols of the rank of the eminent members of the families buried there.
Famous tombs include the Tomb of the Bulls, Tomb of the Augurs and the Tomb of the Leopards.
During the second half of the 4th century sculpted and painted sarcophagi of nenfro, marble and alabaster came into use. They were deposited on rock-carved benches or against the walls in the by then very large underground chambers. Sarcophagi continued until the second century and are found in such numbers at Tarquinia that they must have been manufactured locally.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.