Situated southeast of the city of Tamuín, El Consuelo is accessed by federal highway 70 in the direction of the Gulf port of Tampico. At kilometer 284 it connects with state highway 170. The site entrance is six kilometers down on state highway 170.
The archaeological zone is known by the names Tamuín and El Consuelo. The village of Tamuín or Tamohí, a word which means "place of effervescence" in Wastek, was built between the 8th and 16th centuries and was depopulated at the time of the Spanish conquest.
Among the major archaeological zones of Huasteca – which runs from the south of Tamaulipas State east to the northern part of Veracruz State and south to the eastern parts of the States of San Luis Potosí and Hidalgo – are Tancol, Las Flores, Castillo de Teayo, Tantoc (Tamtok), Agua Nueva, and Yahualica. The El Consuelo site is representative of the Huastec culture in the last centuries of pre-Hispanic Mexico. The region's cultural development partook of the elements characteristic of the ancient cultures of North America. When its inhabitants dispersed during the first years of the conquest, they settled in the poblado known in today as Antiguo Tamuín (Old Tamuín), six kilometers from El Consuelo.
The first mention of the site is due to Walter Staub, who in 1919 published an article with photographs of various sculptures. By 1946, the investigator Wilfrido Du Solier conducted excavations in El Consuelo ranch and in several buildings and discovered the so called Polychrome Altar. Work was discontinued until 1981 when numerous architectural elements were stabilized. In 1990 the work of exploring and reconstructing the Great Platform commenced.
Among the most important objects encountered at the site are the sculpture, found in 1917, known as the Huastec Adolescent, probably a representation of the god Quetzalcóatl in his youth and considered one of the masterpieces of pre-Hispanic art in Huastec culture. Also important is the mural which covers one of the altars, in which is seen, in a series of images, personages with rich vestments. The figures are conspicuous for their originality and quality and the ceramic art of the Preclassic period.References:
The Beckov castle stands on a steep 50 m tall rock in the village Beckov. The dominance of the rock and impression of invincibility it gaves, challenged our ancestors to make use of these assets. The result is a remarkable harmony between the natural setting and architecture.
The castle first mentioned in 1200 was originally owned by the King and later, at the end of the 13th century it fell in hands of Matúš Èák. Its owners alternated - at the end of the 14th century the family of Stibor of Stiborice bought it.
The next owners, the Bánffys who adapted the Gothic castle to the Renaissance residence, improved its fortifications preventing the Turks from conquering it at the end of the 16th century. When Bánffys died out, the castle was owned by several noble families. It fell in decay after fire in 1729.
The history of the castle is the subject of different legends. One of them narrates the origin of the name of castle derived from that of jester Becko for whom the Duke Stibor had the castle built.
Another legend has it that the lord of the castle had his servant thrown down from the rock because he protected his child from the lords favourite dog. Before his death, the servant pronounced a curse saying that they would meet in a year and days time, and indeed precisely after that time the lord was bitten by a snake and fell down to the same abyss.
The well-conserved ruins of the castle, now the National Cultural Monument, are frequently visited by tourists, above all in July when the castle festival takes place. The former Ambro curia situated below the castle now shelters the exhibition of the local history.