Top Historic Sights in Suure-Jaani, Estonia
Explore the historic highlights of Suure-Jaani
Olustvere Manor
Olustvere manor was founded in the second half on the 16th century. At the end of the 18th century the manor came into the possession of the Fersens - an ancient noble family from Northern Germany. The manor stayed in their possession until its expropriation by the Republic of Estonia in 1918. Olustvere is one of the best preserved manorial estate ensembles in Estonia. The current English-style main building was complete ...Suure-Jaani Church
The Church of Great Saint John the Baptist was built as a Gothic style fort-church probably in the end of 13th century but before 1330's. It is a typical Central-Estonian church with three naves. There is a rectangular east choir and tetragonal west tower. The portals of the church are remarkable. During the wars the pillars and arches of the church were destroyed. Supposedly, the church had round pillars. The wooden ceil ...Lõhavere Hill Fort
Lõhavere was an ancient hill fort of Lembitu, the legendary chief of Estonians. It was used in defensive purposes about 20 years in the 12th and 13th centuries. Lembitu was killed in the battle of Madise (St. Matthew’s) day in 1217 by German crusaders and Latgalian allies. Towering in the middle of the forest, the hill of the fort with it's naturally deep slopes leaves an imposing impression even today. ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Palazzo Colonna
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.