Top Historic Sights in Raahe, Finland
Explore the historic highlights of Raahe
Old Raahe
The city of Raahe was established in 1649 by Pietari (Per) Brahe, the General-Governor of Finland. Due the harbour Raahe began to grow and prosper in the 18th century. In 1791 the city was finally got the right to freedom of sailing abroad. The main export goods were tar, pitch and lumber.in 1810 the great fire destroyed a third of all buildings in the town. In the post-fire reconstruction Raahe got the present marketplac ...Stone Age Ruin of Kastelli
So-called Jätinkirkko (“the giant’s church”) of Kastelli is a rectangular stone rampart measuring 36 x 62 meters. It dates back to the Stone Age and is one of the most significant ancient structures in Finland. The fort was probably built between 2700-2200 B.C like most of the stone constructions in northern Botnia.The structure is located at top of the hill. The rampart, which is two meters high in its present sta ...Siikajoki Church
Siikajoki parish was established in 1590, but the Russian army burnt the first chapel already in 1591. The current church, completed in 1701, is third in Siikajoki. The wooden church was renovated in 1765 and Mikael Toppelius painted beautiful mural paintings and altarpiece in 1771-1772. The present appearance originate mainly from the restoration made in 1852.Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Mosque–Cathedral of Córdoba
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
Architecture
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.