Top Historic Sights in Ängelholm, Sweden

Explore the historic highlights of Ängelholm

Ängelholm Church

Luntertun, the old town at the mouth of the River Rönne å, features the ruins of the medieval predecessor of Ängelholm church. The only fixture from Luntertun is the church tower from 1470. The present church was built in 1868, and the interior is from 1941. Altar screen and stained glass have been made by Torsten Nordberg.
Founded: 1868 | Location: Ängelholm, Sweden

Ängelholm Old Town Hall

The lovely old town hall from 1775 in the main square today houses the tourist information. It became too small for the town in 1896.
Founded: 1775 | Location: Ängelholm, Sweden

Munka Ljungby Church

Munka Ljungby Church was probably built in the 12th Century by the monks of Herrevadkloster, who owned large tracts of land, including parts of Munka Ljungby, the name meaning Ljungby of the monks. The transepts date from the 1860s. The altarpiece is a copy of a painting by the 17th century artist Rubens.
Founded: 12th century | Location: Ängelholm, Sweden

Vegeholm Castle

Vegeholm Castle was first built as a danish castle in the early 16th century, and was burned in 1525. It was rebuilt again in 1630 by the Danish Tyge Krabbe. It was owned by his family until 1663, when it was bought by Gustaf Otto Stenbock. After his death it was first possessed by Olof Nilsson Engelholm and thereafter by Johan Cedercrantz. His family owned Vegeholm Castle until 1814 when it was thoroughly renovated. It c ...
Founded: 16th century | Location: Ängelholm, Sweden

Barkåkra Church

Barkåkra Church was originally built in the 12th century. It was fully restored in the 19th century. The older pieces, including the Baptismal font, are from the early 12th century. The retable by David Jastro dates from the 18th Century. The painted glass in the nave was made by Randi Fisher and Ralph Bergholtz.
Founded: 12th century | Location: Ängelholm, Sweden

Ausås Church

The Ausås church was opened in 1858 on the site of a former church. The older church probably dates back to the 13th century, as does the current steeple. The current altarpiece was created in 1949 by Gunnar Wallentin. The sandstone Baptismal font has been dated to around the12th century.
Founded: 1858 | Location: Ängelholm, Sweden

Höja Church

Höja Church was built to the Neo-Gothic style in 1880-1882. The font, made of sandstone, date from the 13th century and Monumental brass from the 17th century. The altarpiece was painted by J. Liljedahl in 1792.
Founded: 1880-1882 | Location: Ängelholm, Sweden

Starby Church

The original church of Starby was made of brick around 1200. In the 15th century the roof got its arches and in 1737 the decayed belfry was replaced with a new one. The current tower and main restoration was made in 1818-1819 and it was enlarged in 1854-1855. The pulpit is probably made in 1668. The altarpiece dates from 1831 and is painted by Alexander Malmkvist. The original medieval font was removed in 1819, but broug ...
Founded: ca. 1200 | Location: Ängelholm, Sweden

Össjö Castle

The current main building of Össjö Castle was built in 1814 after the previous was destroyed by fire. The two wings, dating from 1766 and 1770s survived from the fire. The Össjö history dates from the 16th century, when it belonged to the powerful Danish Krabbe family. Today it is privately owned and not open to the public.
Founded: 1814 | Location: Ängelholm, Sweden

Hjärnarp Church

Neo-classical Hjärnarp stone church built in 1842-1843, replacing a 12th century church. Some of the inventory from the old church has been preserved: a 13th Century Baptismal font, a 17th century brass basin, and a pulpit from 1619. During restoration work in 1957, a fresco by Per Siegård, "Jesus' Passion Week", was added.
Founded: 1842-1844 | Location: Ängelholm, Sweden

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.