Top Historic Sights in Ängelholm, Sweden

Explore the historic highlights of Ängelholm

Ängelholm Church

Luntertun, the old town at the mouth of the River Rönne å, features the ruins of the medieval predecessor of Ängelholm church. The only fixture from Luntertun is the church tower from 1470. The present church was built in 1868, and the interior is from 1941. Altar screen and stained glass have been made by Torsten Nordberg.
Founded: 1868 | Location: Ängelholm, Sweden

Ängelholm Old Town Hall

The lovely old town hall from 1775 in the main square today houses the tourist information. It became too small for the town in 1896.
Founded: 1775 | Location: Ängelholm, Sweden

Munka Ljungby Church

Munka Ljungby Church was probably built in the 12th Century by the monks of Herrevadkloster, who owned large tracts of land, including parts of Munka Ljungby, the name meaning Ljungby of the monks. The transepts date from the 1860s. The altarpiece is a copy of a painting by the 17th century artist Rubens.
Founded: 12th century | Location: Ängelholm, Sweden

Vegeholm Castle

Vegeholm Castle was first built as a danish castle in the early 16th century, and was burned in 1525. It was rebuilt again in 1630 by the Danish Tyge Krabbe. It was owned by his family until 1663, when it was bought by Gustaf Otto Stenbock. After his death it was first possessed by Olof Nilsson Engelholm and thereafter by Johan Cedercrantz. His family owned Vegeholm Castle until 1814 when it was thoroughly renovated. It c ...
Founded: 16th century | Location: Ängelholm, Sweden

Barkåkra Church

Barkåkra Church was originally built in the 12th century. It was fully restored in the 19th century. The older pieces, including the Baptismal font, are from the early 12th century. The retable by David Jastro dates from the 18th Century. The painted glass in the nave was made by Randi Fisher and Ralph Bergholtz.
Founded: 12th century | Location: Ängelholm, Sweden

Ausås Church

The Ausås church was opened in 1858 on the site of a former church. The older church probably dates back to the 13th century, as does the current steeple. The current altarpiece was created in 1949 by Gunnar Wallentin. The sandstone Baptismal font has been dated to around the12th century.
Founded: 1858 | Location: Ängelholm, Sweden

Höja Church

Höja Church was built to the Neo-Gothic style in 1880-1882. The font, made of sandstone, date from the 13th century and Monumental brass from the 17th century. The altarpiece was painted by J. Liljedahl in 1792.
Founded: 1880-1882 | Location: Ängelholm, Sweden

Starby Church

The original church of Starby was made of brick around 1200. In the 15th century the roof got its arches and in 1737 the decayed belfry was replaced with a new one. The current tower and main restoration was made in 1818-1819 and it was enlarged in 1854-1855. The pulpit is probably made in 1668. The altarpiece dates from 1831 and is painted by Alexander Malmkvist. The original medieval font was removed in 1819, but broug ...
Founded: ca. 1200 | Location: Ängelholm, Sweden

Össjö Castle

The current main building of Össjö Castle was built in 1814 after the previous was destroyed by fire. The two wings, dating from 1766 and 1770s survived from the fire. The Össjö history dates from the 16th century, when it belonged to the powerful Danish Krabbe family. Today it is privately owned and not open to the public.
Founded: 1814 | Location: Ängelholm, Sweden

Hjärnarp Church

Neo-classical Hjärnarp stone church built in 1842-1843, replacing a 12th century church. Some of the inventory from the old church has been preserved: a 13th Century Baptismal font, a 17th century brass basin, and a pulpit from 1619. During restoration work in 1957, a fresco by Per Siegård, "Jesus' Passion Week", was added.
Founded: 1842-1844 | Location: Ängelholm, Sweden

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Garden Kingdom of Dessau-Wörlitz

The Garden Kingdom of Dessau-Wörlitz, located in Saxony-Anhalt in the Middle Elbe Region, is an exceptional example of landscape design and planning from the Age of the Enlightenment in the 18th century. Its diverse components – the outstanding buildings, English-style landscaped parks and gardens, and subtly modified expanses of agricultural land – served aesthetic, educational, and economic purposes in an exemplary manner.

The grounds, which had been divided into four parts since the constructions of a railway line and the Bundesautobahn 9 in the 1930s, were designated a World Heritage Site by UNESCO in 2000.

For Prince Leopold III Friedrich Franz of Anhalt-Dessau (1740-1817) and his friend and adviser Friedrich Wilhelm von Erdmannsdorff (1736-1800), the study of landscape gardens in England and ancient buildings in Italy during several tours was the impetus for their own creative programme in the little principality by the rivers Elbe and Mulde. As a result, the first landscape garden in continental Europe was created here, with Wörlitz as its focus. Over a period of forty years a network of visual and stylistic relationships was developed with other landscape gardens in the region, leading to the creation of a garden landscape on a unique scale in Europe. In the making of this landscape, the designers strove to go beyond the mere copying of garden scenery and buildings from other sites, but instead to generate a synthesis of a wide range of artistic relationships. Among new and characteristic components of this garden landscape was the integration of a didactic element, arising from the philosophy of Jean-Jacques Rousseau (1712-1778), the thinking of Johann Joachim Winckelmann (1717-1768), and the aesthetics of Johann Georg Sulzer (1720-1779). The notion of public access to the buildings and grounds was a reflection of the pedagogic concept of the humanisation of society.

Proceeding from the idea of the ferme ornée, agriculture as the basis for everyday life found its place in the garden landscape. In a Rousseauian sense, agriculture also had to perform a pedagogic function in Anhalt-Dessau. Through the deliberate demonstration of new farming methods in the landscape garden, developments in Anhalt-Dessau were not merely theoretical, but a practical demonstration of their models in England. It is noteworthy that these objectives - the integration of aesthetics and education into the landscape – were implemented with outstanding artistic quality. Thus, for instance, the buildings of Friedrich Wilhelm von Erdmannsdorff provided important models for the architectural development of Germany and central Europe. Schloss Wörlitz (1769-73) was the first Neoclassical building in German architectural history. The Gothic House (from 1774) was a decisive influence on the development of Gothic Revival architecture in central Europe. Here, for the first time, the Gothic style was used to carry a political message, namely the desire for the retention of sovereignty among the smaller Imperial territories. The churches in Riesigk (1800), Wörlitz (1804-09), and Vockerode (1810-11) were the first Neoclassical, ecclesiastical buildings in Germany, their towers enlivening the marshland, floodplain landscape in which they served as waymarkers. In parts of the Baroque park of Oranienbaum, an Anglo-Chinese garden was laid out, now the sole surviving example in Europe of such a garden in its original form from the period before 1800. The development of stylistic eclecticism in the 19th century had its roots in the closing years of the 18th century.

Another feature of the landscape is the integration of new technological achievements, such as the building of bridges, an expression of a continuing quest for modernity. Through the conscious incorporation of the older layouts at Oranienbaum and Mosigkau into a pantheon of styles, the landscape became an architectural encyclopaedia featuring examples from ancient times to the latest developments. Nowhere else in Germany or Europe had a prince brought such an all-embracing and extensive programme of landscape reform into being, particularly one so deeply rooted in philosophical and educational theory. With the unique density of its landscape of monuments, the Garden Kingdom of Dessau-Wörlitz is an expression of the enlightened outlook of the court at Dessau, in which the landscape became the idealised world of its day.

Through the conscious and structured incorporation of economic, technological, and functional buildings and parks into the artistically designed landscape, the Garden Kingdom of Dessau-Wörlitz became an important concourse of ideas, in that it facilitated the convergence of 18th century grandeur of design with the beginnings of 19th century industrial society. The reforming outlook of this period brought about a huge diversity of change in the garden layout, and this legacy can still be experienced today.