History of Latvia between 1562 - 1620
Livonian Wars (1558–1583) led to the dissolution Livonian Confederation and the lands were divided between surrounding countries. In 1561 the Livonian Brothers of the Sword, an order of German knights, was disbanded. On the basis of the Treaty of Vilnius, the southern part of Estonia and the northern part of Latvia were ceded to the Grand Duchy of Lithuania and formed into the Ducatus Ultradunensis. The part of Latvia between the west bank of the Daugava River and the Baltic Sea became the Duchy of Courland and Semigallia, nominally a vassal state of the King of Poland.
Gotthard Kettler, the last Master of the Order of Livonia, became the first duke of Courland. Other members of the Order became the Couronian nobility, with the fiefdoms they had hitherto held becoming their estates. In all, Kettler received nearly one-third of the land in the new duchy. Mitau (Jelgava) was designated as the new capital and a Diet was to meet there twice a year.
Several parts of the Courish area did not belong to the Duchy. The Order of Livonia had already loaned the Grobiņa district (on the coast of Baltic Sea) to the Duke of Prussia. Another district, the Bishopric of Piltene, also called the "Bishopric of Courland" (on the Venta River in western Courland), belonged to Magnus, son of the king of Denmark. He promised to transfer it to the Duchy of Courland after his death, but this plan failed and only later did Wilhelm Kettler regain this district.
Like the other members of the Order, Kettler was German and set about establishing the Duchy along the lines of similar German states. In 1570, he issued the Privilegnum Gotthardinum, which allowed the landholders to enserf the native peasantry on their lands.
When Gotthard Kettler died in 1587, his sons, Friedrich and Wilhelm, became the dukes of Courland. They divided the Duchy into two parts in 1596. Friedrich controlled the eastern part, Semigalia (Zemgale), with his residence in Mitau (Jelgava). Wilhelm owned the western part, Courland (Kurzeme), with his residence in Goldingen (Kuldīga). Wilhelm regained the Grobiņa district when he married the daughter of the Duke of Prussia. He also paid out and regained control over the Piltene district, but eventually it fell to the Polish-Lithuanian Commonwealth. Here he developed metalworking, shipyards, and the new ships delivered the goods of Courland to other countries.
However, relations between the duke and the landowners were quite hostile. In addition, the Commonwealth, the overlord of the Duchy of Courland, supported the landowners. Wilhelm expressed his disappointment with the landowners, but this ended with his removal from the duke's seat in 1616. Finally, Wilhelm left Courland and spent the rest of his life abroad. Thus, Friedrich became the only duke of Courland after 1616.
From 1600 to 1629, the Polish-Lithuanian Commonwealth and Sweden conducted a war with its main battlefields around Riga. As the result, Sweden gained control of central and northern Latvia, which became Swedish Livonia. The Commonwealth retained the eastern part of the Duchy of Livonia, thereafter called Inflanty Voivodeship in Polish. Courland was also involved in this war, but did not suffer severe damage.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.