History of Latvia between 3000 BC - 2001 BC
In the Neolithic Age (3000—1500 BC) the Baltic area perhaps was populated by Finno-Ugrian tribes who as yet did not know agriculture, and whose only domestic animal was the dog. They lived in a so-called Narva culture or eastern Baltic archaeological culture found in present-day Estonia, Latvia, Lithuania, Kaliningrad Oblast (former East Prussia), and adjacent portions of Poland and Russia.
The Narva culture relied on local materials (bone, horn, schist). As evidence of trade, researchers have found pieces of pink flint and plenty of typical Narva pottery in the territory of the Neman culture while no objects from the Neman culture were found in Narva. Heavy use of bones and horns is one of the main characteristics of the Narva culture. The bone tools, continued from the predecessor Kunda culture, provide the best evidence of continuity of the Narva culture throughout the Neolithic period. The people were buried on their backs with few grave goods. The Narva culture also used and traded amber; a few hundred items were found in Juodkrantė.
The people were primarily fishers, hunters, and gatherers. They slowly began adopting husbandry in middle Neolithic. They were not nomadic and lived in same settlements for long periods as evidenced by abundant pottery, middens, and structures built in lakes and rivers to help fishing. The pottery shared similarities with Comb Ceramic culture, but had specific characteristics. One of the most persistent features was mixing clay with other organic matter, most often crushed snail shells. The pottery was made of small clay strips with minimal decorations around the rim. The vessels were wide and large; the height and the width were often the same. The bottoms were pointed or rounded, and only the latest examples have narrow flat bottoms. From mid-Neolithic Narva pottery was influenced and eventually disappeared into the Corded Ware culture.
References: Wikipedia, Latvians.com
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.