History of Latvia between 2000 BC - 1 BC
In about 2000 BC a new wave of colonists flowed into the Baltic area from the South. They settled down in East Prussia, Lithuania and Southern Latvia. This invasion continued in the Bronze Age (1500—500 BC) and the older Iron Age (500—0 BC). During these periods two cultural routes are playing a great part in the development of Baltic culture. One of these leads over East Prussia to Central Europe, the other across the sea to Scandinavia.
Some forms of graves, tools, arms, and burial customs lead one to suppose that the continuous development of these prehistoric cultural forms of the Baltic is sufficient to prove that the bearers of this civilization were the forefathers of the present Baltic nations. Thus, the ethnic history of these people can be traced back to about 2000 BC.
At the beginning of our era the common original Baltic culture had already branched into the Western (later Borussian or Ancient Prussian) and Eastern (later Lithuanian and Latvian) cultures. Even in that age, as is shown by archaeology and linguistics, the relations in culture and trade between the Balts and the Finno-Ugrians were considerable and close. At any rate, this development took place some time before the Teutons established direct contact with both races.
The Bronze Age (1500–500 BC) witnessed the transition from an economy based on food procurement to one based on food production. Stock-keeping and agriculture became increasingly important. In the Older Iron Age (500 BC - 0 AD), the first iron objects came into use.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.