Saint Teresa of Ávila Cathedral in Požega is a beautiful example of Baroque architecture. The cathedral building was funded by Franjo Thauszy, Zagreb bishop, with 80,000 forints that were originally intended for repairs of the Požega fortress, owned by bishop Thauszy at the time. The project was endorsed by empress Maria Theresa in 1754 and building started in 1756. The construction took seven years and bishop Thauszy consecrated the new church on 24 July 1763.
The original tower was toppled by a storm in 1926 and had to be replaced by a new, 63 meters tall tower.
The interior of the Požega cathedral is decorated in playful baroque and rococo style. The interior is dominated by main altar of St. Teresa of Ávila, gift of bishop Franjo Thauszy, presented on the occasion of the consecration of the church. Among other altars in the cathedral, the altar of St. John of Nepomuk and the altar of St. Michael the Archangel are especially noteworthy. The former was a gift of Croatian viceroy Franjo Nádasdy, and the latter of Požega-born, Kutjevo parish priest Josip Maurović.
Furthermore, there is a beautiful pulpit - also a gift from bishop Thauszy, and rococo carved oak pews. Cathedral organ was built by Josip Brandl factory in Maribor and put in its place in 1900.
By the end of the 19th century, six octagonal stained-glass windows have been installed.
Interior of the Požega cathedral is also decorated by wall paintings painted by famous Croatian painters Celestin Medović and Oton Iveković in 1898 and 1899. Trinity painting above the main altar has been painted by two of them together, while on the ceiling of the apse there is painting of St. Teresa by Medović.References:
The Amphitheatre of the Three Gauls was part of the federal sanctuary of the three Gauls dedicated to the cult of Rome and Augustus celebrated by the 60 Gallic tribes when they gathered at Lugdunum (Lyon). The amphitheatre was built at the foot of the La Croix-Rousse hill at what was then the confluence of the Rhône and Saône.
Excavations have revealed a basement of three elliptical walls linked by cross-walls and a channel surrounding the oval central arena. The arena was slightly sloped, with the building"s south part supported by a now-vanished vault. The arena"s dimensions are 67,6m by 42m. This phase of the amphitheatre housed games which accompanied the imperial cult, with its low capacity (1,800 seats) being enough for delegations from the 60 Gallic tribes.
The amphitheatre was expanded at the start of the 2nd century. Two galleries were added around the old amphitheatre, raising its width from 25 metres to 105 metres and its capacity to about 20,000 seats. In so doing it made it a building open to the whole population of Lugdunum and its environs.