Church of Saint John the Baptist is one of the fortified churches of the former Grand Duchy of Lithuania. It was founded in 1603 by Jan Rudomin Dusicki and Jan Hajecki. The name of the architect is unknown. Construction took three years so in 1606 the church was opened and was active since then. In 1643 a hospital was founded by the church for the dwellers of the village and nearby area.
During the war against Russia the church was burnt down by the Russian army, but rebuilt soon afterwards. In the Great Northern War the church got under cannon fire from the Sweden army and was damaged again. During the reconstruction of the building cannonballs were planted inside the walls as a tribute to the tragic war events. In 1778 a chapel and a crypt were built by the southern side of the church.
The church was active even in Soviet times, which is a rare case as communists persecuted religion and closed or even ruined many churches around the country. In 2010-2011 the church underwent a planned repair.
The church is a beautiful example of the defensive Gothic architecture once popular in the Grand Duchy of Lithuania. Only a limited number of fortified churches survived until now so it has a great historical and architectural value. Later Renaissance elements were added.
The church was initially built in a symmetrical way with three naves supported by four columns. After the church was damaged for the first time, the columns were removed and the church became a single-nave. Dimensionally it is close to the square and has an apse and a sacristy. The facade is flanked by two cylindrical towers with rounded embrasures. Both towers are sixteen meters tall and five meters in diameter with the walls over two meters in thickness.
The outer side of the church is almost free from the decorative elements except for four niches on the upper frontside.
There is an old cross near the church. It was installed about 15th-16th century. The cross is two and a half meters high and was carved of a single granite stone.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.