The most impressive building in Hvar is definitely the Cathedral of St. Stephen, standing on the eastern side of the city square, at the far end of the Pjaca, where two parts of the city meet. It was built on the site of an early 6th-century Christian church and a later Benedictine convent of St Mary.
The shrine of today's cathedral is the remains of a Gothic church from the 14th century. Its 15th-century pulpit, the stone polyptychs of St. Luke and The Flagellation of Christ, as well as the late Gothic crucifix, have all been preserved. St. Stephen's is a rather unremarkable triple-aisled church with a nice 17th-century bell tower, and is a harmonious synthesis of the Renaissance, manneristic and early Baroque styles so typical of the Dalmatian architecture of the 15th and 16th centuries.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.