Tvrdalj Castle was the summer residence of Petar Hektorović, the Croatian poet (1487–1572). During the 16th century, the island of Hvar came under attack from the Ottoman Turks. Hektorović, one of the local nobles, undertook to fortify his house so that it could act as shelter for the local citizens.
Tvrdalj is a well-preserved Renaissance building, with a long closed facade on the seaward side, to protect it from attack. The interior courtyard contains a sea-water fishpool, enclosed by a vaulted and arcaded terrace. Next to it is a tower with a dovecote. The living quarters, together with the servant quarters, and several wells, are arranged around the pool. Behind the main buildings is a walled garden where Hektorović cultivated herbs and medicinal plants.
A series of inscriptions are set into walls of the mansion in Latin and Croatian. Those in Croatian are considered to be some of the oldest extant.
In 1571 Stari Grad was again attacked and Tvrdalj was set on fire by the Turks. A year later, Petar Hektorovic died and the damaged Tvrdalj was divided between his relatives. Following provisions in his will, there were gradual improvements made. However, in 1834 the Venetian laws lapsed and Tvrdalj experienced massive construction works: the south wall of the complex was removed, vaults constructed around the pool, a second floor added on either side of the tower, and new two-storey houses were built. The bay in front of Tvrdalj was filled in as part of the harbour improvements. In the 20th century, further major changes were experienced in 1901 when the eastern wall was demolished and houses built over the vault and cistern which is still part of the Tvrdalj entrance.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.