Around 1140 Roger II, King of Sicily, transformed the old Saracen tower of Punta Troia in a real castle in defense of western end of the richest and most powerful kingdom in the Mediterranean at that time.
In subsequent periods Swabian domination, Angevin and Aragonese Marettimo followed the fate of Sicily, accentuating an isolation that had its peak during the long Spanish rule, when the western part of the island became a receptacle for pirates and privateers of all the reams, with a prevalence of those Saracens. The few inhabitants were forced to live in caves and the only real oversight of the central government was made up of the castle and its increasingly small garrison.
In the late 18th century the island began to be populated on a permanent basis. At that time, King Ferdinand IV of Bourbon, pushed by the enlightened viceroy Caracciolo, began timid attempts at government reform and enhancement of the kingdom territories. With the French Revolution, the castle became horrid prison, especially for political prisoners: in 1793, in times of anti-Jacobin repression and famine, Castle had well 52 political prisoners, crammed into a prison created in an old cistern called 'the pit”.
In 1844 King Ferdinand II abolished the castle. Together fell into disrepair the nearby church dedicated to St. Anne and the chapel dedicated to Our Lady.
Today the town is enclosed in a single agglomeration no longer 300 meters wide 200. Residents live mostly of tourism, but in the not too distant past, most of the population was made up of very valid sea-faring, experts and salting fish, not last, like good farmers and beekeepers.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.