The Ancient theatre of Ohrid from the Hellenistic period was built in 200 BC and is the only Hellenistic-type theatre in the North Macedonia. It is unclear how many people the original theater used to seat, as only the lower section still exists. The open theater has a perfect location: the two hills that surround it keep it protected from winds that could interfere with acoustics during performances.
During Roman times, the theater was also used for gladiator fights. However, since the theater was also a site of executions of Christians by the Romans, it rapidly turned to a highly disliked site by the locals. In fact, as a result of this dislike, the theater was abandoned and buried by the locals after the demise of the Roman Empire. This allowed for most of the structure to be well preserved, only to be uncovered accidentally in the 1980s. Namely, during construction work around some of the houses in the area, large stone blocks with carvings of the Greek god Dyonisius and the muses were showing up, which led archaeologists to believe that a Greek theater (Dionysus and the muses were related to the performance arts) must have been located nearby.
Since the late 1980s, the theater is again a site of public performances, such as plays, concerts, operas, ballet performances. Recently, high-profile cultural performances such as those by the Bolshoi and José Carreras take place each summer as part of the Ohrid Summer Festival.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.