The Ancient theatre of Ohrid from the Hellenistic period was built in 200 BC and is the only Hellenistic-type theatre in the North Macedonia. It is unclear how many people the original theater used to seat, as only the lower section still exists. The open theater has a perfect location: the two hills that surround it keep it protected from winds that could interfere with acoustics during performances.
During Roman times, the theater was also used for gladiator fights. However, since the theater was also a site of executions of Christians by the Romans, it rapidly turned to a highly disliked site by the locals. In fact, as a result of this dislike, the theater was abandoned and buried by the locals after the demise of the Roman Empire. This allowed for most of the structure to be well preserved, only to be uncovered accidentally in the 1980s. Namely, during construction work around some of the houses in the area, large stone blocks with carvings of the Greek god Dyonisius and the muses were showing up, which led archaeologists to believe that a Greek theater (Dionysus and the muses were related to the performance arts) must have been located nearby.
Since the late 1980s, the theater is again a site of public performances, such as plays, concerts, operas, ballet performances. Recently, high-profile cultural performances such as those by the Bolshoi and José Carreras take place each summer as part of the Ohrid Summer Festival.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.