Squillace Castle was built on the ruins of a monastery when the Normans conquered Squillace in 1044. Throughout the years it was conquered and ruled by various families – one of which being the Borgia family. The Borgia family was an Italian-Spanish noble family that become prominent during the Italian Renaissance. Between 1494 and 1735, Squillace was governed by the Borgia Princes.
In 1793, an earthquake severely damaged parts of the castle but that didn’t stop King Giuseppe Bonaparte (Napoleon’s older brother – the King of Naples and Sicily, and later King of Spain), from turning the castle into a prison which remained this way until 1978.
At this point, the castle began its restoration and the results can be seen today. It doesn’t have the appearance of its original structure but there is an interesting mesh of architectural structures giving the castle its unique look. The exterior of the castle is made up of two towers – one of which is cylindrical while they other is polygonal. The main entrance has the Borgia family coat of arms proudly displayed and around the piazza there are still remnants of the outer walls.
During renovations in 1994, two mysterious and infamous guests were discovered. Two skeletons were unearthed in the polygonal tower wrapped in a tender eternal embrace. They date back to anywhere between 1200 and 1300 AD.
What intrigued researchers the most was not only their position but the fact that the skeletons didn’t appear to be local people. There is still much debate on who these “two lovers” are and what led to their sad fate – perhaps we will never know.
In the meantime, you can visit the small museum and see these mysterious guests on display with other artifacts that were found during the excavation.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.