The castle of Arena was built by the Norman king Roger I the 11th century, to protect the pass of Berra and to defend the dominions on the Tyrrhenian side of the greenhouses against the risk of potential attacks from the eastern side, where Byzantines and Arabs had important positions.
The administrative and military control of the feud of Arena was entrusted to the Conclubet family, which for over 600 years was confirmed in power by the different dominations that succeeded one another in Calabria ultra, to which the Acquaviva dukes took over in the sixteenth century.
The ruins of the castle, substantially destroyed by the earthquake of 1783, preserve the Norman architectural structure, with large perimeter walls and the main building in the shape of a quadrilateral.
At the corners of the quadrilateral there are four partially preserved towers, belonging to different periods during which the castle underwent various technical – defensive adaptations.
Thus, in the Angevin age, the original quadrangular towers with smooth shoe of the Norman tradition, were replaced on the eastern side by high towers with a circular base and grooved shoe, the latter aimed at increasing the results of the so-called “plumbing defense” technique. increasing the range and lethality of the projectiles launched from the walls. Just the grooved shoe base is a constructive rarity since the typical Angevin tower had a smooth shoe.
On the western side, the Norman towers were modified only in the Aragonese period, when the development of artillery made it necessary to lower and strengthen them.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.