The remains of the Greek settlement in the locality of Centocamere, and those of the Tempio di Marasà, which have yielded a great variety of relics related to religion, art, and culture, have more recently been added to those of a sanctuary dedicated to Demetra Thesmophoros, stretches of the Greek city walls, and significant monumental evidence from the Roman Imperial age, such as the Museale Casinò Macrì complex.
In the first half of the fifth century BC, the Locrians demolished their archaic temple and rebuilt a new temple in the Ionic style. The temple was designed by Syracusan architects around 470 BC, based on the idea of Hiero I of Syracuse.
The new temple occupies the same place as the previous one but it has a different orientation. The temple was destroyed in the 11th century. The dimensions of the temple were 45.5 by 19.8 metres. The cella is free of supports on the central axes. The pronaos had two columns. The temple has seventeen Ionic columns on the long side, and six on the front. The height of the temple was 12 metres.
The theatre was built in the fourth century BC not far from the ancient city, in the Contrada Pirettina, taking advantage of a hillside slope. The original structure had space for more than 4,500 people; now only the central part of the theatre is visible. Part of the Cavea was cut into the rocks. Each plane was divided in 7 wedges between 6 scales. A horizontal separation divided the upper theater from the lower theatre.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.