In 831, some Venetian merchants arrived near Cropani on their way back from Alexandria where they had collected the remains of the Evangelist Mark. According to this reconstruction, the ship was caught in a bad storm and wrecked near the beach of Cropani. The inhabitants aided the merchants who, as a sign of recognition, gave them a fragment of the kneecap of the saint’s right knee, kept in the church of Santa Maria Assunta (the Duomo).
Later, the merchants awarded the people of Cropani the honorary citizenship of Venice.The mother church or the Assunta is a monumental building whose first layout dates to the 13th century. The structure was built with large blocks of tufaceous granite and stands out because of its imposing bell tower, 43 metres high compared to the original 47.
The church of the Assunta houses notable works of art including statues, relics, paintings and frescoes in 18th century Baroque style and a notable wooden ceiling with arabesques with 15th century paintings.
The little ‘Antiquarium Diocesano’ museum inside the Duomo can be visited. It holds many works of sacred art including half-bust reliquaries sculptured in the round, finely decorated in damascened gold leaf dating to the 16th century, precious silver items and sacred 18th century vestments and also an interesting marble tabernacle sculptured bas-relief dating to 1545.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.