White Castle was established by the Normans in the wake of the invasion of England in 1066, to protect the route from Wales to Hereford. Possibly commissioned by William fitz Osbern, the Earl of Hereford, it comprised three large earthworks with timber defences. In 1135, a major Welsh revolt took place and in response King Stephen brought together White Castle and its sister fortifications of Grosmont and Skenfrith to form a lordship known as the 'Three Castles', which continued to play a role in defending the region from Welsh attack for several centuries.
King John gave the castle to a powerful royal official, Hubert de Burgh, in 1201. Over the next few decades, it passed back and forth between several owners, as Hubert, the rival de Braose family, and the Crown took control of the property. During this period, White Castle was substantially rebuilt, with stone curtain walls, mural towers and gatehouses. In 1267 it was granted to Edmund, the Earl of Lancaster, and remained in the hands of the earldom, and later duchy, of Lancaster until 1825.
Edward I's conquest of Wales in 1282 removed much of White Castle's military utility, and by the 16th century it had fallen into disuse and ruin.
The castle is made up of a central inner ward, a crescent-shaped hornwork to the south, and an outer ward to the north, with its stonework constructed from red sandstone. The outer ward was originally much larger, extending around the castle further to the east, but only limited traces of these earthworks survive. It is now entered from the north-east although, prior to the 13th century, the castle 's entrance was originally on the south side. The historian Paul Remfry considers the castle to be 'a masterpiece of military engineering' for the period.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.