Pierhead Building

Cardiff, United Kingdom

The Pierhead Building is one of Cardiff's most familiar landmarks, built in 1897 as the headquarters for the Bute Dock Company. The Bute Dock Company was renamed the Cardiff Railway Company in 1897. A coat of arms on the building's façade bears the company's motto Wrth ddŵr a thân ('by water and fire'), encapsulating the elements creating the steam power which transformed Wales. The building became the administrative office for the Port of Cardiff in 1947.

The 1897 clock mechanism, by William Potts & Sons of Leeds, was removed and replaced with an electronic motor, and auctioned off by British Rail and sold to an American collector in 1973. It was returned to Cardiff in 2005 and in 2011 was restored and installed as a piece of contemporary art created by the artist Marianne Forrest in Cardiff city centre.

Incorporating a French-Gothic Renaissance theme, the Pierhead boasts details such as hexagonal chimneys, carved friezes, gargoyles, and a highly ornamental and distinctive clock tower. Its exterior is finished in glazed terracotta blocks supplied at the end of the 19th century by J. C. Edwards & Co. of Acrefair, near Ruabon in Wrexham County Borough; they were once described as one of the most successful producers of terracotta in the world. These features, along with the Pierhead's role in the development of the docks, Cardiff and industrial Wales, earned it the status of a Grade I listed building.

References:

Comments

Your name



Details

Founded: 1897
Category: Palaces, manors and town halls in United Kingdom

More Information

en.wikipedia.org

User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Rosenborg Castle

Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.

The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.

Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.