Monnow Bridge in Monmouth is the only remaining fortified river bridge in Great Britain with its gate tower standing on the bridge. Such bridge towers were common across Europe from medieval times, but many were destroyed due to urban expansion.
According to the local tradition, construction of Monnow Bridge began in 1272 to replace a 12th-century Norman timber bridge. Through the medieval era, the English Civil War, and the Chartist uprising, the bridge played a significant, if ineffectual, role in defending Monmouth. It also served as a gaol, a munitions store, a lodge, an advertising hoarding, a focus for celebrations and, most significantly, as a toll gate. Much of the medieval development of Monmouth was funded by the taxes and tolls the borough was entitled to raise through royal charter. The tolls were collected through control of the points of entry to the town, including the gatehouse on Monnow Bridge.
Built predominantly of Old Red Sandstone, the bridge was the subject of significant reconstruction and rebuilding in the 18th and 19th centuries. In those centuries, it also became a popular subject for artists; Turner, Gastineau and Cotman produced sketches of the bridge and gate. In the 20th century, it suffered increasing damage as higher volumes of traffic and the use of ever-larger vehicles led to several serious accidents. In the 21st century, the construction of a new road crossing to the south enabled the pedestrianisation of the bridge.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.