The Monolithic Church of Saint-Emilion is an underground church dugged in the early 12th century of gigantic proportions (38 metres long and 12 metres high). At the heart of the city, the church reminds the religious activity of the city in the Middle Ages and intrigues by its unusual design. If it shows itself in the eyes of the visitor by the position of a 68-meter-high bell tower, then it hides itself behind the elegance of three openings on the front and a Gothic portal often closed.
The goal of its realization is probably the development of the city around a pilgrim activity on the tomb of the patron saint St. Emilion. In memory of the Breton hermit who had settled in a nearby cave during the 8th century, and in order to edify the faithful, the ambition to achieve a sufficiently large reliquary church to host hundreds of pilgrims, was born.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.