History of France between 987 AD - 1179
The Capetian dynasty, also known as the House of France was founded by Hugh Capet. It is among the largest and oldest royal houses in Europe and the world and ruled the Kingdom of France from 987 to 1328. The dynasty had a crucial role in the formation of the French state. Hugh Capet’s rule was limited to his own domain around Paris, while the rest of the French kingdom was in the hands of powerful local lords. His direct successors gradually increased the territory over which they had control through conquest and inheritance and also by skillfully exploiting their rights as suzerains in areas not under their direct authority. Under the Capetians, many of the basic administrative institutions of the French monarchy, including Parlements (royal law courts), the States General (representative assembly), and the baillis (royal local officials), began to develop.
The history of medieval France starts with the election of Hugh Capet (940–996) by an assembly summoned in Reims in 987. He was recorded to be recognised king by the Gauls, Bretons, Danes, Aquitanians, Goths, Spanish and Gascons. The new dynasty was in immediate control of little beyond the middle Seine and adjacent territories, while powerful territorial lords such as the 10th- and 11th-century counts of Blois accumulated large domains of their own through marriage and through private arrangements with lesser nobles for protection and support.
Under King Philip I, the kingdom enjoyed a modest recovery during his extraordinarily long reign (1060–1108). His reign also saw the launch of the First Crusade to regain the Holy Land, which heavily involved his family although he personally did not support the expedition. An important part of the French aristocracy also involved itself in the crusades, and French knights founded and ruled the Crusader states. An example of the legacy left in the Middle East by these nobles is the Krak des Chevaliers' enlargement by the Counts of Tripoli and Toulouse.
By far the greatest threat to the royal dynasty came from the neighbouring counts of Anjou, who by judicious marriages become the Plantagenet rulers of England, Normandy and much of western France. The Norman conquest of England introduced a new situation in northwest Europe. Lands on both sides of the English Channel were from this time under the control of a single dynasty. The kings of England were also the dukes of Normandy. A Norman-French royal family crowned in Westminster seek to extend its territories on the French side of the water. At the same time a Frankish-French royal family strived to assert its authority over the whole geographical region of France. The result is a prolonged struggle, eventually spanning some four centuries, in which the identities of medieval Europe's two strongest kingdoms are gradually shaped.
The princes of the two houses married within the same limited circle, so western Europe became an interconnected web of French-speaking cousins - often with good claims to each other's territories. Louis VII and Henry II set a powerful example, as kings of France and England who married the same heiress from Aquitaine. But the point can be made almost equally well among their successors.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.