Sailors' Snug Harbor is a collection of architecturally significant 19th-century buildings on Staten Island. The Harbor was founded as a retirement home for sailors after Captain Robert Richard Randall bequeathed funds for that purpose upon his 1801 death. Snug Harbor opened in 1833 as a sailors' retirement home located within what is now Building C, and additional structures were built on the grounds in later years. The buildings became a cultural center after the sailors' home moved away in 1976. The grounds and buildings are operated by Snug Harbor Cultural Center and Botanical Garden, a nonprofit, Smithsonian-affiliated organization.
Sailors' Snug Harbor includes 26 Greek Revival, Beaux Arts, Italianate and Victorian style buildings. Among those are 'Temple Row', five interlocking Greek Revival buildings labeled A through E. The buildings are set in extensive, landscaped grounds, surrounded by the 19th-century cast-iron fence. The grounds also include a chapel and a sailors' cemetery. The cultural center includes the Staten Island Botanical Garden, the Staten Island Children's Museum, the Staten Island Museum, the Newhouse Center for Contemporary Art, and the Noble Maritime Collection, as well as the Art Lab and the Music Hall.
The site is considered Staten Island's 'crown jewel' and 'an incomparable remnant of New York's 19th-century seafaring past.'
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.