The Archaeological Museum of Komotini was designed by Aris Konstantinidis, an architect, and was commissioned in 1976. The exhibits on display are from the Neolithic to the Byzantine period, from the excavations of the Thracian archaeological sites, and reveal much about the prehistory and history of the Aegean Thrace and Komotini. The museum also has exhibits of folklore art, agriculture operations and basket making.
The museum structure is prominent in Komotini for its architectural elegance. The exhibits cover the Neolithic and Iron Age sites of colonies of Greece in the remote northern Aegean, Greek art, holy sites, Roman hamlets and artifacts of funeraries. The collections have informative display boards with the history of Thrace. Artefacts include Roman coins, clay statuette, gilded wreaths, and ceramics of the Byzantine period. A detailed map showing the location of the archaeological sites in Thrace and Macedonia are also provided to the visitors. There is also a clay figurine from Abdera dated to early 200 BC, although the gilded bust of Septimius Severus (193–211 AD) is cited to be the most impressive exhibit in the museum.
Another interesting exhibit in the museum is a grave stele with images marked on both its faces, made from Thacian marble. It was found at ancient Dikaia in 1927, and is an example of late Ionian art of the Late Archaic period dated to 300 BC. This slab is without a crown and has decorations of the Lesbian cymatium in its top portion. An image of a young person, adorned with a himation, with hair tied and dropping to the nape, is depicted in the front portion of the stele. The back face of the stele displays an attendant carrying a stool and a dog. Wall text relating to the exhibits is in English.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.