The Cartagena Naval Museum is a military museum near the city port of Cartagena. It presents exhibitions related to naval construction. The museum was opened in 1986. It has been moved to a new headquarters in the city's seafront, in the former Maritime Instruction Headquarters, a historical building from the mid-eighteenth century that was constructed by the military engineer Mateo Vodopich. The building is in front of the Botes Basin. Since its construction in 1786, it has been the State Penitentiary Center (1824), Presidio (1910), and after the Spanish Civil War Barracks for the Instruction of Sailors. Following the agreement signed in 2005 by the Ministry of Defense, the Autonomous Community of the Region of Murcia and the Polytechnic University of Cartagena, the use of the building is shared between the university and naval museum. The space dedicated to the museum is in the southern half of the ground floor of the building.
The collection, made up of more than 3,000 items, offers a journey through the history of the Navy in the city of Cartagena and is divided into the thematic areas like naval construction, navigation, naval artillery and portable weapons etc.
In 2013, the museum is expanded with the inauguration of the Isaac Peral Room in the old Arsenal Boiler Workshop. After the rehabilitation of the ship, the Peral Submarine is moved from the promenade to undertake its restoration and guarantee its adequate exhibition to the public, becoming the main piece of the museum. In the same space, the Isaac Peral Legacy is exhibited, which contextualizes the important contribution of the Cartagena sailor to scientific and military history.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.