San Juan de las Águilas Castle dates from the 18th century, although its origins go back to the Carthaginian period. After the expulsion of the Arabs, the castle was abandoned.
Its reconstruction was tackled at a later date but not quite successfully until King Charles I of Spain (1530) ordered, by Royas Decree, ist rebuilding with the aim of guarding the coastal strip between Vera and Mazarrón, which was threatened by Turkish and Algerian raids. The building work on this castle was tackled again in 1579, under the reing of Philip II. The Torre de las Aguilas (The Eagles Tower) was built in this period. Its last remodelling would be undertaken under Charles III (in the 18th century), who decided to extend the fortress due to the town's incresing population and the constant Berber attacks to which the port and its population were subjected.
This new remodelling turned it into one of the best fortified castles of this period.Currently, there are very few remains of the splendour of this fortress. A coat of arms, where Castile¿s lions might be represented, can still be observed in one of the preserved façades. Recent excavations have revealed underground passages in the surrounding area, which, according to popular beliefs, used to connect this castle with another fortress of the municipality, the Castle of Tébar. In addition to the fortress, also of tourist interest is the panoramic sight of the city of Aguilas that can be admired from its location.It was restored in 2007 and opened as a museum in 2009.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.