Bitonto Cathedral, dedicated to Saint Mary, was the seat of the small Bishopric of Bitonto from the bishopric's foundation, believed to be in the 8th century, until 1818, when it was combined with the neighbouring Diocese of Ruvo to form the Diocese of Ruvo e Bitonto. This was separated again in 1982, and the Diocese of Bitonto, with Bitonto Cathedral as its seat, was briefly revived, but was combined with the Archdiocese of Bari in 1986 to form the Archdiocese of Bari-Bitonto, in which Bitonto Cathedral is now a co-cathedral.
The remains of a palaeochristian church, which predates by some centuries the establishment of the bishopric, have been discovered underneath the present building.
The existing church however is a Romanesque building of the late 11th-12th centuries, influenced by the Basilica of San Nicola in Bari. The west front is divided into three parts and has three portals (the central one of which is sculpted with plant motifs and scenes from the Old Testament), four mullioned windows and a rose window flanked by sculptures of animals supported by small columns. The interior has a nave and two aisles, and is also notable for its sculpture. The main artwork is the marble ambo, a combined pulpit and lectern, of 1229, a masterpiece of medieval Apulian stonecarving. In the crypt is a tile of a griffin, a survival from the predecessor church building.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.