Molfetta Cathedral is dedicated to the Assumption of the Virgin Mary and Saint Ignatius Loyola. Originally a Jesuit church, it became the seat of the bishops of Molfetta in the late 18th century. Since 1986 it has been the episcopal seat of the Diocese of Molfetta-Ruvo-Giovinazzo-Terlizzi.
The present cathedral was built by the Jesuits during the 17th century and dedicated to their founder, Saint Ignatius Loyola. Begun in 1610, it was not completed until 1744 with the construction of the façade, which bears the image of Loyola. At the suppression of the Society of Jesus in 1767 the church was abandoned until 1785, when it was restored and extended and made into the new cathedral of the diocese of Molfetta, when the relics of the patron saint of the city, Saint Conrad of Bavaria (San Corrado), were translated to it from the previous cathedral ('duomo vecchio' or the 'old cathedral'), which is now the church of San Corrado.
Among the works of art in the cathedral are the Dormitio Mariae ('Dormition of Mary') attributed to Scacco (16th century), the monument of the Molfettese naturalist and historian Giuseppe Maria Giovene, to the left of the altar dedicated to Saint Conrad, and on it, the magnificent canvas by Corrado Giaquinto of the Assumption of the Virgin Mary. In 1887 the ceiling vault was decorated in tempera by the Molfettese painter Michele Romano.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.