Monopoli Cathedral has been since 1986 a co-cathedral in the Diocese of Conversano-Monopoli. The cathedral was erected near the site of a Roman temple and burial site. Work began on it in 1107, but was supposedly halted for the lack of roof beams. A miracle occurred in 1117 when a raft carrying an icon of the Madonna drifted into the harbour. The raft beams were used to construct the roof.
The Romanesque structure was not complete until 1442, when it was consecrated. Two of the three bell-towers were damaged during the siege of the Marquis Del Vasto in 1528. The remaining tower collapsed in 1686, killing forty townspeople. By 1693, a new campanile had been erected.
In 1738, an endowment by Bishop Giulio Sacchi called for a refurbishment. The old church was razed, and a new church begun in 1742. Work was completed in Baroque style in 1772. In 1921, the cathedral was declared a minor basilica. In 1986, the dioceses of Monopoli and Conversano were joined, making this a co-cathedral.
The Chapel of Our Lady of Madia has elaborate polychrome decoration on the altar. The chapel contains two large canvases by Pietro Bardellino, and there are 6 small 18th-century paintings depicting the Life of the Virgin by Michele del Pezzo. A series of four paintings (1732) in the Chapel of the Martyrs by Michelangelo Signorile recounts the Miracle of the Raft.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.