With the number of 150 preserved tombstones stećci on Dugo Polje, it represents one of the biggest necropoli in general. The tombstones appear mostly in the form of slab, precisely 72 of them evidenced, then 59 crates, 14 tall crates and five gabled tombstones, four of which are with plinths.
The decorations found on total 32 tombstone stećci are mostly rosettes, appearing 34 times altogether. Most interesting decorations surely are the figural images. The three of those are especially unique and do not appear on any other stećak tombstones. The first one is found on the crate front, partially damaged today. There is an image of a man standing on the left of the surface. Another man stands to his right, with arms raised obliquely towards the head of the first. Behind him, stand two or three more men with their hands raised in the same manner. The meaning of this unconventional scene still remains unclear.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.