For more than a thousand years, Masino Castle has overlooked the immense Canavese plain from high ground in front of the evocative morainic barrier of the Serra di Ivrea – an intact and seemingly endless landscape. The strategic location of the castle resulted in it being frequently attacked, but the noble Valperga dynasty, whom, legend has it, are descended from Arduin of Ivrea, the first King of Italy, retained ownership of it right from the very beginning, documented as far back as 1070. Over the centuries, the illustrious family converted the castle into an aristocratic residence, and then into an elegant holiday home. This glorious past is recounted by the halls themselves, which are adorned with frescoes and ostentatious furnishings, and by the bedrooms used by visiting ambassadors, the private apartments, the lounges and the panoramic terraces. It all adds up to a refined embodiment of 17th and 18th century culture, which was also expressed in the rooms dedicated to the celebration of knowledge, such as the priceless library, which plays host to more than 25,000 antique volumes.
Outside the castle, there are monumental, romantic grounds, featuring one of the largest mazes in Italy, a majestic tree-lined boulevard, large clearings and picturesque corners that, in spring, are inundated by beautiful blossom. A trip to Masino is an ever-changing experience: from visits to the castle, taking different routes round it each time, to a day in the open air to savour the beauty of the grounds, or participation in any of the numerous events organised throughout the course of the year, perhaps including a coffee at the panoramic cafeteria. Masino is perfect for kids, who will have great fun playing with their families and friends with all the activities we designed for them.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.