The present-day Evangelical-Lutheran parish church of St. Andrew in Lübbecke is one of the ancient parishes of the Bishopric of Minden.
The originally single-nave, cross-shaped building with a west tower was built, probably from 1160 to 1180, in the Romanesque style. In 1350 it was converted into a Gothic hall church by the addition of two side aisles. This change of style can still be clearly recognised in the interior of the church. During restoration work in 1959–62 the remains of wall and ceiling paintings inside the church were uncovered, some of which dated to as early as the 13th century. The church's fittings include a cup-shaped Gothic baptismal font, a lifesize Christ on the cross made around 1200, and an organ casing from 1628, that was modified in 1642. In addition, a large number of epitaphs have been preserved. The tower is almost 70 metres high, making it one of the highest church towers in a town anywhere in Germany.
The collegiate church of St. Andrew in Lübbecke had been founded as a chapter of St. John (Johanneskapital) at Ahlden on the Aller, before it moved to Lübbecke in 1295. In 1280 it was at first moved to Neustadt am Rübenberge and in 1295, for security reasons, to Lübbecke. The Church of St. Andrew in Lübbecke was elevated to a collegiate church. In 1550 the Reformation was introduced at St. Andrew's and the church became a Lutheran parish church. In 1624 there were five Lutheran and a Roman Catholic canon. The collegiate chapter was not abolished until 1810 by the French government in Kassel (Kingdom of Westphalia). The stone of the former castle of Meeseburg on the summit of the Meesenkopf in the Wiehen Hills was supposed to have been used to build the church.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.