Vydubychi Monastery is an historic monastery in the Ukrainian capital Kyiv. The monastery was established between 1070 and 1077 by Vsevolod, son of Yaroslav the Wise. It was a family cloister of Vsevolod's son Vladimir Monomakh and his descendants.
The legend has it that Vladimir ordered the wooden figures of Perun (the Thunder God) and other pagan gods dumped into the Dnieper River during the mass Baptism of Kyiv. The disheartened Kyivans, though accepting the baptism, ran along the Dnieper River calling for the old gods to emerge from water.
The monastery was continuously protected by Ukraine's hetmans and aristocratic families. Hetman Ivan Mazepa in 1695 forbade the Vydubytskyi Monastery's neighbors and placed it under the guard of Starodub Regiment Col. Mykhailo Myklashevskyi, who established the Baroque-style Church of St. George and new Transfiguration Refectory. Hetman Danylo Apostol subsidised construction of the monastery's bell tower. In the 18th century the help of Hetman Kyrylo Rozumovsky's ensured the new properties for the Vydubychi.
Since the late 1990s, the monastery is administered by the Ukrainian Orthodox Church - Kyiv Patriarchate. The Vydubychi Church Choir was among the first choirs in newly independent Ukraine to reinstate singing of the Divine Liturgy in the Ukrainian language.
Only a few churches of this monastery have survived over the centuries. One of these is the Collegiate Church of Saint Michael, which was built on behest of Vsevolod I and partly reconstructed between 1766 and 1769 by Russian architect M. I. Yurasov. The Ukrainian baroque structures include the magnificent 5-domed St. George Cathedral, Transfiguration of the Saviour Church and refectory, all dating from 1696-1701. A belltower, commissioned by the Hetman Danylo Apostol, was erected in 1727-33 and built up in 1827-31.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.