Vydubychi Monastery is an historic monastery in the Ukrainian capital Kyiv. The monastery was established between 1070 and 1077 by Vsevolod, son of Yaroslav the Wise. It was a family cloister of Vsevolod's son Vladimir Monomakh and his descendants.
The legend has it that Vladimir ordered the wooden figures of Perun (the Thunder God) and other pagan gods dumped into the Dnieper River during the mass Baptism of Kyiv. The disheartened Kyivans, though accepting the baptism, ran along the Dnieper River calling for the old gods to emerge from water.
The monastery was continuously protected by Ukraine's hetmans and aristocratic families. Hetman Ivan Mazepa in 1695 forbade the Vydubytskyi Monastery's neighbors and placed it under the guard of Starodub Regiment Col. Mykhailo Myklashevskyi, who established the Baroque-style Church of St. George and new Transfiguration Refectory. Hetman Danylo Apostol subsidised construction of the monastery's bell tower. In the 18th century the help of Hetman Kyrylo Rozumovsky's ensured the new properties for the Vydubychi.
Since the late 1990s, the monastery is administered by the Ukrainian Orthodox Church - Kyiv Patriarchate. The Vydubychi Church Choir was among the first choirs in newly independent Ukraine to reinstate singing of the Divine Liturgy in the Ukrainian language.
Only a few churches of this monastery have survived over the centuries. One of these is the Collegiate Church of Saint Michael, which was built on behest of Vsevolod I and partly reconstructed between 1766 and 1769 by Russian architect M. I. Yurasov. The Ukrainian baroque structures include the magnificent 5-domed St. George Cathedral, Transfiguration of the Saviour Church and refectory, all dating from 1696-1701. A belltower, commissioned by the Hetman Danylo Apostol, was erected in 1727-33 and built up in 1827-31.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.