Frýdlant castle complex consists of the Gothic castle with a high tower and a Renaissance château. There are exhibits, such as of Albrecht von Wallenstein, the Thirty Years' War, and an armoury of 1,000 weapons used for military and hunting. The castle includes the Chapel of Saint Anne, the Knights' Hall, rooms for the count and countess, and a working kitchen.
In the 13th century the castle was held by the Ronovci family until the middle of the century when Častolov of Ronov was forced to return the castle and other properties to King Ottokar II. The first written mention of Frýdlant is from 1278, when Rudolf of Bieberstein, purchased the castle and surrounding land from the king.
Frydlant castle and town went to Emperor Ferdinand I when Christopher, the last of the line of the Birbsteins, died in 1551. The castle went into the Redern family when Bedřich bought it in 1558. Several new villages were established and the production of linen cloth resulted in an economic boom during the initial years of the Redern family. Marco Spazzio di Lancio, an Italian architect hired by the family, expanded the castle in the 16th century.
At the end of the Thirty Years' War, the castle was possessed by the Swedes. They constructed fortified barbicans and strengthened the defensive walls.
In 1800 or 1801, the Clam-Gallas family opened the castle to the public as a museum.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.