The Tavole Palatine ('Palatine Tables') are the remains of a hexastyle peripteral Greek temple of Magna Graecia the 6th century BC, dedicated to the goddess Hera and the god Apollo. The temple, located near the Bradano river in the south of Italy, was part of a countryside sanctuary and remains of the wall of the temenos and of a very ancient altar are visible.
The remains are located in the archaeological area of Metapontum, on the last of the Givoni, ancient sandbanks near the right bank of the river Bradano, built over the remains of a neolithic village on the prehistoric road from Siris-Heraclea, about three kilometres from the ancient city of Metapontum.
The temple, restored in 1961, was initially attributed to the cult of the goddess Athena, but a fragment of a vase found in the course of the 1926 archaeological excavations turned out to be a votive dedicated to the goddess Hera, showing that she was the patron of the sanctuary.
The temple was composed of a central naos, preceded by a pronaos and with an adyton at the rear. Fifteen columns with twenty flutes and Doric capitals survive. Of these fifteen columns, ten are on the north side and five on the southern side. Originally there were thirty-two columns, since the temple had a peristasis of twelve columns on each long side and six on each short side. The temple has decayed significantly because it was built with local limestone (so-called mazzarro). In the fifth century BC, the temple had a tiled roof with multi-coloured decoration in the Ionic tradition, with leonine protomes and gargoyles.
Numerous remains of terracotta decoration, statuettes and ceramics, along with smaller column fragments were found near the temple during the 1926 excavations and are now kept at the Museo archeologico nazionale di Metaponto.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.