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At the top of Lagopesole is located a castle, attributed to Frederick II that was probably built between 1242 and 1250. A distinguishing feature of this castle from all the others attributed to Frederick II is the presence within it of a real church (not a simple chapel) in an austere Romanesque style.
Pope Innocent II and Abbot Rinaldo of Montecassino met there, in the presence of Emperor Lothair II of Saxony during the war against Roger the Norman. In 1268 and 1294, Charles I of Anjou stayed at the castle. In 1416, both this fortress and the Melfi castle were acquired by the Caracciolo family. In 1531, Emperor Charles V donated it to the Doria family.
In the nineteenth century, the castle was the refuge of bandits, led by Carmine 'Donatelli' Crocco, who during April 7, 1861, occupied it with another 400 brigands.
The main courtyard is part of the enlargement work commissioned by Frederick II (1242) on the remains of previous Norman and Angevin buildings, and it includes also a wide tank and a big chapel. The chapel, built in the Romanesque style, distinguishes this splendid manor house from the other buildings attributed to Frederick II, being the only example of a place of worship as compared to the other castles dating back to the imperial period.
Even after the renovation works performed in the nineties, today the Lagopesole Castle still preserves the changes commissioned by Charles I, known also as Charles of Anjou. Used as a shelter by the Italian brigands led by Carmine Crocco in the nineteenth century, today the castle is an ideal location to host prestigious cultural events. A must-see attraction is the castle’s museum, where you can take a journey into the life of the Roman Emperor thanks to the multimedia “World of Frederick II” visitor experience and a multimedia show.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.