Santa Maria d'Orsoleo, intended for the Observant Franciscan Friars, was built in 1474 by Eligio II della Marra, the Prince of Stigliano and Count of Aliano, expanding upon a previous 12th-century chapel.
The ancient wooden statue of the Madonna of Orsoleo, possibly from the 13th century, is still venerated today and celebrated every year on September 8th. The church that houses it, attached to the complex and lavishly adorned, features a notable wooden choir behind the main altar. Among the sculpted figures, there is also a Madonna with Child seated amidst branches of a tree, with a bear and a lion at her feet.
Various additions made over the years improved the structure, making it increasingly rich. The complex, which never lacked resources, thanks in part to generous donations, was once equipped with a library, a pharmacy, a mill, an oven, an ice house, an olive press, and two cisterns. The rooms were also enriched by a cycle of frescoes by the Lucanian painter Giovanni Todisco di Abriola, depicting episodes from the lives of saints and Christ, such as the Adoration of the Magi, which bears the painter's signature, as well as scenes of the Triumph of Death and Faith.
The nearby Torre Molfese, located along the road leading to the monastery, is believed to have originally served as a watchtower to protect travelers on their way to the convent.
The suppression of the monastic orders in 1861 led to the definitive decline and gradual abandonment of the entire complex.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.