Acerenza Cathedral is a Roman Catholic cathedral dedicated to the Assumption of the Blessed Virgin Mary and to Saint Canius in the town of Acerenza. The cathedral is one of the most notable Romanesque structures in this part of Italy.
The diocese was established by the late 5th century, but the structure of the present Romanesque cathedral building dates from 1080, when construction was begun under archbishop Arnald of Cluny. The site however is far more ancient and traces remain in the present building both of a pagan temple to Hercules Acheruntinus and of the earlier Christian church.
It has a Latin cross ground plan, and three aisles, which terminate in a raised presbytery behind which is an apse with an ambulatory and three radiating chapels, an unusual feature in Italian church design; the transept also terminates at either end in a semi-circular chapel. The ambulatory contains the altar which houses the relics of Saint Canius.
The crypt dates from 1524 and contains what is believed to be the sarcophagus of Saint Canius.
The campanile was added in 1555, and reuses many interesting fragments of ancient stonework, including two Roman sarcophagi and a sacrificial altar decorated with bulls' heads.
The interior of the cathedral features many unusual zoomorphic and floral carvings, in the Cluniac manner, the possible symbolic significance of which has caused speculation.
Of especial note are a polyptych showing Our Lady of the Rosary and the Fifteen Mysteries, with Saints Dominic and Thomas, made by Antonio Stabile in 1583, and four frescos in the cloister by Giovanni Todisco di Abriola.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.