The Crypt of the Original Sin, in Matera, is located inside a natural cave on the Murgia plateau, near the old Appian Way. Commonly known as “the Sistine Chapel of rupestrian art”, the Crypt was discovered in 1963 by a group of local youths, who noticed the splendid frescoes in what at the time, had become a shelter for sheep herds. Experts later dated the cycle of paintings back to the second half of the 8th century, with Late-Romanesque style and formal elements of Oriental inspiration, such as the Byzantine-style Triarchsand the profile of the Virgin Mary, majestically represented in the sumptuous clothes of the Byzantine empress, the Basilissa.
The anonymous, humble artist – who was soon nicknamed the “Flower Painter” – depicted biblical figures in total freedom: God the Creator, Light and Darkness, Adam and Eve, the three Apostles John, Peter and Andrew, the Archangels and Mary. The paintings on the rough walls of the cave are different and unique in Matera’s iconographic context. The scenes are the fruit of the painter’s personal creativity and certainly speak of his freedom in translating complex depictions, and of a lively spontaneity in drawing images.
Paintings of flowers complete the cycle, while other frescoes are difficult to interpret due to their poor state of preservation. All the depictions are described by an inscription in Latin.
You can visit from Tuesday to Sunday, by appointment only.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.