The Royal Monastery of Saint Mary of Guadalupe is a Roman Catholic monastic establishment built during the 14th century located in Guadalupe. It is located at the foot of the eastern side of the Sierra de las Villuercas and was one of the most important and fine monasteries in the country for more than four centuries. UNESCO declared it a World Heritage Site in 1993.
The site has played a leading role in the history of medieval and modern Spain, being linked to the Crown of Castile from the reign of Alfonso XI and the other Peninsular kingdoms – particularly after the conquest of Granada, which resulted in the unification of all territories, the emergence of the Modern State in Europe, the end of the period of the Reconquest, and the discovery of the New World.
The monastery is an exceptional example of an ensemble comprised of widely differing architectural styles, including in particular the 14th- to 15th-century Mudéjar church and cloister. The following architecture from different periods is worth underscoring: the Basilica (main church) or Templo Mayor – with a façade notable for its Mudéjar works, its doors ornamented with finely-worked bronze plaques, the interior nave and two side aisles with fine ornamented vaulting, and many richly decorated tombs and altars.
The sacristy built between 1638 and 1647 is abundantly decorated and best known for the series of paintings by Zurbarán and wall paintings that highlight the austere lines of its architecture. The Chapel of Santa Catalina of Alejandría, a square building that links the Sacristy with the Reliquaries Chapel, has an octagonal cupola lit by a lantern, contains some outstanding 17th-century tombs, and houses many elaborate reliquaries and other works of art in its arcaded alcoves. The Camarín de la Virgen, a small octagonal building situated behind the presbytery of the basilica is amply decorated in Baroque style.
Of special interest is the upper storey, the “Chamber of the Virgin” proper, in which the vaults are richly decorated in plaster and stucco and the walls covered with paintings, among them nine by Luca Giordano. It houses the famous statue of the Virgin of Guadalupe on a magnificently ornamented throne. The cloister was constructed in brick in the Mudéjar tradition and painted in white and red. The small chapel in the centre dates from 1405, and there is an impressive portal ca. 1520-24 in Plateresque style. The Gothic cloister has galleries on three sides with three tiers of arches, and the New Church, in modified Baroque style, has three naves.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.