Åre Old Church was built in the late 12th century entirely in stone, with inspiration from contemporary Norwegian church buildings, since Jämtland then was a part of Norway. It is situated at the Saint Olaf Pilgrim's Route (S:t Olofleden), and nowadays is the seventeenth stop on the route that goes from Selånger Old Church ruins at Sundsvall, situated at the Gulf of Bothnia, and crosses the Scandinavian Mountains via Stiklestad to the Nidaros Cathedral in Trondheim, Norway — and remains the only stone church in the Scandinavian Mountains from the Middle Ages. Other remaining medieval churches in the Scandinavian Mountains are stave churches situated in Norway.
The original church's interior dimensions were only a mere 5x11 metres, with a choir of 2.5x2.5 metres. There were only three tiny windows, so it was quite a dark church. Preserved medieval artifacts in the church are two ship candlesticks, a processional cross and an unusual wooden statue of Saint Olaf. The statue does not show him as usual with an orb in his left hand and a war axe in his right wearing a crown, but only with an orb in his left hand wearing a tricorne uniform hat of the Caroleans. The wooden statue itself was dated as being from the 14th century, but it can be older.
After centuries of warfare between Denmark–Norway and Sweden, the Second Treaty of Brömsebro made Jämtland a part of Sweden. In 1673 the church had a pulpit installed at the southern church wall according to Norwegian traditions. The baptismal font and gallery at the northern church wall also dates from the end of the 17th century. In 1736 the church was extended almost 12 metres to the west. The old choir was converted into a sacristy, and the new entrance of the church was placed to the west with a porch in stone.
A mighty reredos was added over the new altar depicting the mourning Marys and the crucifixion of Christ in the centre. Higher windows were added as well as the current pews. The characteristical bell tower was erected during the 1750s by Erik Olofsson i Rännberg. It belongs to a group of typical belltowers of the 18th century Jämtland with its onion-shaped cupola.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.