The Monastery of Yuste is a monastery in the small village now called Cuacos de Yuste. It was founded by the Hieronymite order of monks in 1402.
In 1556 Charles V, Holy Roman Emperor, retired to the Monastery of Yuste, near Cuacos de Yuste, after having abdicated the Spanish crown in favour of his son Philip II of Spain and the crown of the Holy Roman Empire in favour of his brother Ferdinand I. He intended to devote the rest of his life to prayer in this remote and obscure monastery. Nonetheless, the monastery had to be expanded that year to make room for the emperor and the 50 or 60 members of his entourage.
From time to time well-known people, including his illegitimate son Don Juan de Austria and his heir Philip II of Spain, came to visit the retired emperor. A fictitious visit by Carlos, Prince of Asturias, and other characters provides the moonlit setting for Act V of the original version of Giuseppe Verdi's opera Don Carlos, and Yuste is also the setting for both scenes of Act II of that long and celebrated opera. Charles died there on September 21, 1558. He was buried in the monastery church, though his remains were later transferred to the Royal Monastery of San Lorenzo del Escorial.
In 1809, during the Peninsular War, the monastery was burnt to the ground by the French army. It was left in ruins until 1949, when the Spanish government restored it at the behest of Francisco Franco.
The area around Yuste, the Valle del Jerte, is now an eco-tourist destination. Tourists can visit the monastery, including the emperor's apartments. The valley is also known for its cherry trees and the beauty of the surrounding landscape.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.