The Monastery of Yuste is a monastery in the small village now called Cuacos de Yuste. It was founded by the Hieronymite order of monks in 1402.
In 1556 Charles V, Holy Roman Emperor, retired to the Monastery of Yuste, near Cuacos de Yuste, after having abdicated the Spanish crown in favour of his son Philip II of Spain and the crown of the Holy Roman Empire in favour of his brother Ferdinand I. He intended to devote the rest of his life to prayer in this remote and obscure monastery. Nonetheless, the monastery had to be expanded that year to make room for the emperor and the 50 or 60 members of his entourage.
From time to time well-known people, including his illegitimate son Don Juan de Austria and his heir Philip II of Spain, came to visit the retired emperor. A fictitious visit by Carlos, Prince of Asturias, and other characters provides the moonlit setting for Act V of the original version of Giuseppe Verdi's opera Don Carlos, and Yuste is also the setting for both scenes of Act II of that long and celebrated opera. Charles died there on September 21, 1558. He was buried in the monastery church, though his remains were later transferred to the Royal Monastery of San Lorenzo del Escorial.
In 1809, during the Peninsular War, the monastery was burnt to the ground by the French army. It was left in ruins until 1949, when the Spanish government restored it at the behest of Francisco Franco.
The area around Yuste, the Valle del Jerte, is now an eco-tourist destination. Tourists can visit the monastery, including the emperor's apartments. The valley is also known for its cherry trees and the beauty of the surrounding landscape.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.