St Nonna's Church is the second largest church on Bodmin Moor, Cornwall. The dedication is to Saint Non or Nonna, who was the mother of St David. The church is mentioned in Daphne du Maurier's Jamaica Inn; it is the church in which the evil vicar of Altarnun Francis Davey depicts himself in a painting as a wolf while the members of his congregation have the heads of sheep.
The church is an active Anglican parish church in the deanery of Trigg Major, the archdeaconry of Bodmin, and the diocese of Truro. Its benefice is united with those of Saint Sidwell and Saint Gulval, Laneast, and Saint Clederus, St Clether. The church is recorded in the National Heritage List for England as a designated Grade I listed building.
The oldest fabric dates back to the Norman era. Most of the church dates from the later part of the 15th century, at which time the north and south aisles were added. The church was restored in 1867 by E. Sedding.
It is a building largely of the 15th century in the Perpendicular style, with a tower 33 m high. It is notable for the fine Norman font and the amount of old woodwork, including the screen, bench-ends and communion rails which date to 1684.
The screen is one of the finest 15th century examples in Cornwall; it has three gates and the cornice of vines and tracery and vaulting are finely carved. The 79 bench-end carvings were executed by Robert Daye between 1510 and 1530 (Pevsner attributes them to 1524 or later) and portray a range of subjects including a Cornish piper and fiddler (Daye's name is given on one but the date is illegible).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.