The Varna Archaeological Museum is situated in a historic building designed in the Neo-Renaissance style by the noted architect Petko Momchilov and built in 1892–1898 for the Varna Girls' School. It became state property in 1945, and since 1993 the museum has occupied the entire building, parts of which it had been using since 1895.
One of the largest museums in Bulgaria, it has 2,150 m2 of exhibition area with exhibits from the prehistoric, Thracian, Ancient Greek and Ancient Roman periods of the region's history, as well as from the times of the medieval Bulgarian and Byzantine Empires, Ottoman rule and the Bulgarian National Revival (including about 900 medieval and Revival icons).
The Museum's arguably most celebrated exhibit is the Gold of Varna, the oldest gold treasure in the world, excavated in 1972 and dating to 4600-4200 BCE, which occupies three separate exhibition halls.
The museum also manages two open-air archaeological sites, the large Roman baths in the city centre and the medieval grotto of Aladzha Monastery at Golden Sands Nature Park.
Four other sites are undergoing conservation and will be added to the museum roster: the 4th-5th-century episcopal basilica on Khan Krum Street; the basilica and monastery of the same period at Dzhanavara; the 9th-10th-century Theotokos monastery and scriptorium of the Preslav Literary School at Pchelina; and the Mediaeval fortified settlement of Kastritsi at Euxinograd.
The museum has also a library, a children's study museum, a gift shop, and a cafeteria. Its courtyard lapidarium hosts the annual Varna Summer International Jazz Festival.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.